Revising An Old Manuscript

 

Revisiting an Old Manuscript

By Janice Seagraves

Hi, this is Janice Seagraves. I’ve the author of nine books and six short stories.

I wrote lots of stories before I was ever published. A lot of those book-length manuscripts were what I learned on. When you first start out you have to write and write and write so you can learn. And I was no different.

Twin Heart is an early book-length manuscript that I had learned on but had never forgotten. The characters in it feel like old dear friends.

Feeling nostalgic one day, I pulled Twin Heart’s file out and started revising it. I’ve learned a lot over the ten years since I wrote the manuscript and though I should be able to fix it, no problem.

It was a mess!

Missing punctuations, run-on sentences, and drifting POVs. Just to name a few.

I have a lot of work to do if I’m ever going to get my dear old friend up to snuff.

The first two chapters weren’t so bad, but the further along I dug the worse it got. Some chapters read like filler and didn’t further the plot or add anything to the storyline. And there are thirty-two chapters in my manuscript.

Thirty-two.

And over 115,000 words. My manuscript can certainly use some trimming.

Things I’m looking out for as I revise my manuscript:

  • Fix common mistakes: errors in punctuation, repeated words, drifting POVs.
  • Do the sentences make sense?
  • Are too many sentences started with a -ing word?
  • Do the sentences use it as a subject of the sentence instead of a noun?
  • Are words spelled right or an I using a wrong word choice?
  • Break down run-on sentences into smaller sentences.
  • Delete unnecessary words.
  • Kill my darlings.
  • Read the manuscript out loud.

Once I get the problems taken care of, I’ll have to write out the manuscript chapter by chapter as if I was writing a synopsis so I can figure out what can stay and what can go.

The delete button has already become my friend.

Now, why did I start this project again?

Oh, yeah, dear old friends that are the characters in the manuscript.

*sigh*

At least the bones of the story are good. I just have to delete, rewrite, and make stronger a bunch of the bad sentences to make the good shine through.

Have you ever dragged out an old manuscript with designs on fixing it?

What happened?

 

Write Time in scenes by Janice Seagraves

 

Writing Time In Scenes

by Janice Seagraves

 

Hi, my name is Janice Seagraves.

Today, I thought I’d talk about time in writing. I don’t mean the day or week or month, but the speed in which things happen. Have you ever had someone tell you that your scene went too fast or maybe the opposite, your scene was very slow? And not in a good way.

Here’s some tips on how to fix that.

First, if your scene is going fast, you can odd more detail to slow it down. Believe me this trick works. Don’t know what to add in? Then I suggest describing what is happening in minute detail. Add in colors, textures, how things smell. Was the scent in the area nice, sour, or did it smell like something died? Maybe there is a background buzz that is irritating or soothing one of your characters? Add in details in all its glory: the good, the bad, and the ugly. Go deeper into your characters’ feelings. Add a pause as something else happens.

I had a scene that my critique partners said went too fast, so I added in more detail, more feelings, and more internal dialogue of one of the main characters. Then as they headed out, I wrote a pause. The heroine speaks to someone, while the hero is chumping at the bit to get her walking again then takes her arms and drags her down the road. And having one character wanting to leave the area, while the other is speaking to a secondary character can make the scene tense.

If you need to speed up a scene, then you’ll need to lose some of the detail. One time I added what in the business is called a ticking clock to speed things up. One of the characters is urging the others to hurry. His frustration shows whenever anything slows down. Have the characters speak in quick, short bursts.  One liners. No long dialogues. And if there is only two characters, you can leave off some of the dialogue tags. No one ambles anywhere in this scene. It’s all dashing, sprinting, and doing things fast.

Blog Post

It was my turn to post on Romance Books ‘4’ Us Blog.

I wrote about how I handled harsh critiques. And it has one of my vlogs attached to it.

Please like and subscribe.

https://romancebooks4us.blogspot.com/2019/03/harshcritiques-harsh-critiques-by.html